In contrast to the technotopian sci-fi productions of the 1950s and 60s, Tarkovsky’s Solaris offered to early-1970s audiences a completely fresh take on a future world of inter-stellar travel. Within the genre, the film is uncharacteristically sombre and understated in its preference for familiar, ‘human’ imagery of nature and 16th century Flemish painting over the exotically new. Tarkovsky’s lack of reverence for technological marvels, special effects or any kind of futuristic aesthetic allows space for an extremely nuanced psychological portrayal of people affected by enigmatic, haunting phenomena that unravel on the distant planet Solaris. This is only underlined by the no-nonsense, lived-in clothes in an earthy colour palette, in which costume designer Nelli Fomina dressed the characters.
Soviet Union 1972. Dir. Andrei Tarkovsky. With Natalya Bondarchuk, Donatas Banionis, Jüri Järvet. Costumes Nelli Fomina.